
MINDER BEKENDE DIGTERS VAN CANUCKISTAN DEEL 3
DON DOMANSKI
Jammer maar ek het geen idee wat “windfall crab apples” in Afrikaans is nie, maar makie sakie – gesien die laaste sin van die eerste gedig gaan ek dit net so los.
Domanski kan nie juis beskryf word as ’n onbekende digter in sy eie vaderland nie, maar dit wil my voorkom asof hy buite Kanada se landsgrense minder bekend is as wat hy behoort te wees. Aangesien ek voorheen reeds biografiese besonderhede van hom hier geplaas het, gaan ek dit nie weer doen nie.
.
BARDO
first light of day inscribed on night’s gravity
sweet breath of noumena between the pines
this is the path of the unconverted
the unwashed
its pentimento showing through
the blood showing through grass and weeds
briar and brush
I made camp just beyond the pond
where algae live happily in the continuous
loop of their wedding nights
just south of where the ravens are already flensing
bodies of the departed and crickets live
with their glassine eyes their lidless black paper
watching the world
all the night shinings go out like candles
two by two certain eyes close while
others open as a breeze braids through
the old growth of this hour sun rising
ur-light giving the sense that everything
is in holy orders that we all live
in the guise of ourselves in a measure
of space under a monk’s cowl
pampered bacteria in the leaf mould
dead foxes in their vestments
the grasses’ heart stretching on for miles
swamp water living the life of tea steeped
to intelligence
the cursive pulse of everything in synch
like a geothermal cipher warm as a deer’s core
and every footstep we take is just where
the world’s edge dips into infinite space
this morning I walk carefully there knowing
that the husks of dead flies and twigs dust
all the rooms of Paradise that every windfall
apple has come to change the world.
.
A BRIGHT FABLE IN A DARK WOOD
what we were meant to see we’ve seen ten thousand times
sunlight falling on its sword in a hayfield a craze
of birdmaking in the trees
taxonomy of the sadhus drifting by cloud-like and deathless
white pebbles and dandelion globes little fetishes
and their interwork carrying our lives on their
small shoulders those lives we build beyond the event
horizon so no light or sound escapes from our desires
those contemplative days wrapped around our bodies
stellar hours leaning upon us
from out of the blue from out of the Great Dissolve
what we have longed for we’ve longed for ten thousand times
no words for this weight upon our hearts
no name for this hospice which has taken us in
its gallery of illuminations opened wide
to our gaze its rooms filled with inklings and quantum fields
our lodgings occupied and shining forth
out of a meadow’s breath where we live in the ecstasy
of asterisms in the accidental bliss of space-time
woolgathering flesh to bone holding tight
to elementary particles to remnants of thought scattered over
the circumference of a blood drop over the mete of a vein.
whatever we’ve done will never be finished whatever is named
is unnamed as soon as we turn away
beneath the sky’s sketchbook
we make our own plans we imagine the future under the flyover of stars
lifting their names from a page chandeliered high above our bodies
we are nothing more than brushwork and pillow talk
living beside the stone’s perpetual ascension beside the moonlight
sipping water from the roots of things
lying down our heads to dream of stones and moonlight every day
collecting dust on our sleeves every night shaking dirt off our shoes.
we’d like to be a new parable we’d like to be a bright fable in a dark
wood to deepen the range and pulse of our lives like shadows do
by merely tissuing radiance colour-coordinated all the way
down to the river
unlike the revealed we burrow into our hiding places unlike
the hidden we draw attention to ourselves trying to find a niche
in the diminishing circles of our beliefs following an apparition’s
prosthetic light just above the trees
we are beautiful and lost our unknowing raising its hands in prayer
the scriptures of our bodies slowly peeling away in whispers our words
like the secretive cries of grass torn over and over by the wind
always returning to our sorrow
always about to address it but only miming
those hieroglyphics that melancholic scrawl half erased
those eroded depictions of our grief.
.
IN THE DOORYARD
current of air stirring the hostas cat asleep beneath
the warmth of a star bees flying about with bouquets
and hypodermics lazy hours spread out on the grass
like a thin green blanket discoloured with minor
activities with my thoughts and their moving pictures
this would be a good day for dogs to finally stand on their
hind legs and speak for Fate to answer our questions
for the rapture of childhood to occur again for God to
lift the veil and show us the inner workings of a stone
like I said lazy hours nothing much happening so I do
what I always do watch things get on with their lives
a young sparrow circling the plastic red birdfeeder
toad on the uncut lawn carrying its underlife and ashes
a millipede performing its custodial duties in the mulch
its legs in Times Roman typing its message
into the earth as it walks along always the same one
for over 400 million years keep your feet on the ground
keep your feet on the ground
© Don Domanski

Dankie engemi. Nou weet ek sommer ook wat “crap apples” in Afrikaans is: houtappeltjies…. mooi naam. Ek stem saam met jou oor Domanski se gedigte.
Hierdie reeks van jou het my veel plesier verskaf, Leon. Veral hierdie aflewering. Ek hou so baie van Domanski se melankolie en nostalgie wat desnog in klaarheid staan. Hy is dalk minder bekend, maar ek het tog wel deur die jare sy verse raakgelees en geniet.
En die windfall crabapples in jou buurman se tuin is so presies hiermee saam. Herinner ietwat aan In die stilte van my tuin: Blare van verbloeide rose het die wind hierheen gewaai; voor my ope deur …
die windverwaaide afgevalle houtappeltjies in jou buurman se tuin verdien ‘n eie spasie – iewers?